From the Grolier Club's description, one might conclude that much of the art is minimally (or only slyly) subversive, that these state-educated artists have endured Castro's "gaunt and threadbare state" experiencing a minimum of cruelty and repression. From the Wake Forest press release:
In 2007, [curator Linda S.] Howe initiated an interdisciplinary entrepreneurship project to create an exhibition that would bring national and international attention to these artists and their work. “These artists have survived cultural politics, difficult living conditions and resource shortages that limited their access to the most basic materials, like paper,” she said, “but the project is not about politics. It’s about living our university motto, ‘Pro Humanitate’—for the good of humanity.”But how does one think about/discuss/engage with Cuba sans politics? Learn more, live:
- May 20: "Cuban Artists' Books" panel discussion and symposia at MoMA.
- May 21: Free lecture by exhibition curator Linda S. Howe at the Grolier Club.
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